St Vincent Review
St Vincent’s artistry has been rooted in pushing boundaries since the beginning. Annie Clark’s genre-bent songs combine sculptural vocals, intense guitars and surrealistic witticisms with an intensely personal point of view, resulting in funhouse-mirror pop that gives the sensation of delighting the artist as much as it does her audience. While David Bowie and Kate Bush are obvious influences, she’s also been upfront about the way the orchestrations from early Disney films made an impression on her: “All that stuff, it’s your first introduction to magic,” she told the podcast This Song in 2019.
St Vincent Review Annie Clark, performing as St. Vincent, collaborated with the Boston Pops orchestra at Symphony Hall, presenting orchestral arrangements of her catalog. The performance featured her signature genre-bending songs, technical guitar skills, and engaging stage presence, reinterpreting tracks from her albums. Clark, a Berklee College of Music alumna, created widescreen versions of her songs, highlighting the emotional depth of pieces like ‘Violent Time’ and ‘Smoking Section’ with orchestral backing. The concert also showcased her guitar prowess on tracks like ‘Marrow’ and ‘Now, Now’, culminating in a vibrant set with ‘Digital Witness’ and an encore of ‘Candy Darling’ and ‘Slow Disco’.
- St. Vincent performed with the Boston Pops orchestra at Symphony Hall.
- The concert featured orchestral reworkings of her music, blending her genre-bending style with symphonic arrangements.
- Annie Clark displayed technical guitar mastery and engaging, playful stage presence throughout the show.
- Key songs performed included ‘Hell Is Near’, ‘Violent Time’, ‘Marrow’, ‘Now, Now’, ‘Smoking Section’, ‘Digital Witness’, ‘New York’, ‘Candy Darling’, and ‘Slow Disco’.
- The performance demonstrated how St. Vincent’s art pop is intertwined with high art.
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