Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review

(Felt)From birdsong to pool balls, this Lithuanian musician – a graduate of Copenhagen’s buzzy Rhythmic Music Conservatory – mixes beguiling found sounds into left-field pop and modern classical
Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review

Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review Gintė Preisaitė’s debut solo release, Instruments of Forgetting and the Singing Bone, features eight tracks created with piano, voice, and electronics, incorporating improvisational techniques and found sounds. The album progresses in intensity, blending elements of left-field pop and modern classical with experimental compositions that include birdsong, electronic glitches, and disparate instrument sounds. Standout tracks showcase Preisaitė’s songwriting proficiency alongside her experimental approach.

  • Gintė Preisaitė, a Lithuanian musician and graduate of Copenhagen’s Rhythmic Music Conservatory, creates atmospheric and unsettling ambient compositions.
  • Her debut solo album, Instruments of Forgetting and the Singing Bone, utilizes piano, voice, electronics, and found sounds.
  • The album incorporates elements of left-field pop and modern classical, with tracks featuring birdsong, electronic glitches, and diverse instrumentation.
  • Standout tracks like ‘Deepen’ and ‘Nippon Dreams’ highlight her experimental approach and songwriting skills.
Write a comment