‘What’s the worst that can happen?’ How soprano Danielle de Niese turned to directing for The Marriage of Figaro Soprano Danielle de Niese found herself directing a production of The Marriage of Figaro unexpectedly, despite never having considered directing before. Her extensive personal history with the opera, from singing its arias to in-depth study, prepared her to reimagine the work character by character. De Niese’s directorial approach focuses on realism and plausibility, aiming to subvert traditional, often unrealistic, portrayals of the characters to create a more believable and emotionally resonant performance.

• Soprano Danielle de Niese agreed to direct The Marriage of Figaro for Wild Arts despite never having directed before, prompted by an unexpected gap in her performing schedule.
• De Niese has a lifelong personal connection to the opera, having sung major roles, studied it extensively, and even translated the score.
• Her directorial vision emphasizes realistic character portrayals and plausible plot developments, aiming to move beyond traditional operatic tropes.
• The production features a reduced chamber orchestra, a minimal set, and will tour 20 venues across the UK.
• De Niese sees directing as a natural extension of her masterclass work, guiding singers to emotionally drive their performances.
• She designed the minimal set using her son’s building blocks and scrap paper, adapting it for multiple venues.
• The production challenges conventional interpretations, seeking to make the Count’s apology believable and the central couple’s love engaging from the start.